The group of letters (Skt. vyañjanakāya; Tib. yi ge’i tshogs) is one of the three groups of traditional grammar.
The Sutra of Letters
The analysis in this section is done mainly according to the Sutra of Letters (Skt. Varṇasūtra; Tib. yi ge’i mdo), with backtranslation to the Sanskrit based on reading Ballantyne’s translation of the Laghu Kaumudi and on Apte’s 14th entry for sthānam.
Letters (Skt. vyañjana, varṇa, akṣara; Tib. yi ge) have 3 causes:
- place (Skt. sthāna; Tib. gnas)
- chest (Skt. ura; Tib. brang)
- throat (Skt. kaṇṭha; Tib. mgrin pa)
- head (Skt. śiras; Tib. mgo)
- tongue root (Skt. jihvāmūla; Tib. lce’i rtsa ba)
- teeth (Skt. danta; Tib. so)
- nose (Skt. nāsikā; Tib. sna)
- lips (Skt. oṣṭha; Tib. mchu)
- palate (Skt. tālu; Tib. rkan)
- instrument (Skt. karaṇa; Tib. byed pa)
- effort (Skt. prayatna; Tib. rab tu rtsol ba)
- inner (Skt. ābhyantara; Tib. nang)
- closed (Skt. saṃvṛta; Tib. dog pa)
- open (Skt. vivṛta; Tib. yangs pa)
- touching (Skt. spṛṣṭa; Tib. reg pa)
- slightly touching (Skt. īṣatspṛṣṭa; Tib. cung zad reg pa)
- outer (Skt. bāhya; Tib. phyi)
- non-resonant (Skt. aghoṣa; Tib. dbyangs med pa)
- barely aspirated (Skt. alpaprāṇa; Tib. srog chung ngu)
- very aspirated (Skt. mahāprāṇa; Tib. srog chen po)
- resonant (Skt. ghoṣa; Tib. dbyangs dang ldan pa)
- warm (Skt. uṣman; Tib. dro ba)
- inner (Skt. ābhyantara; Tib. nang)
There are 3 vowel lengths:
- short (Skt. hrasva; Tib. thung ba)
- long (Skt. dīrgha; Tib. ring ba)
- prolated (Skt. pluta; Tib. shin tu ring po)
And 3 vowel tones:
- low (Skt. anudātta; Tib. thur du sbyin pa)
- high (Skt. udātta; Tib. gyen du sbyin pa)
- straight (Skt. svarita; Tib. thad kar sbyin pa)
Through the combination of length and tone there are 9 forms of a vowel, and through the combination of those with either the presence of nasality (Skt. anunāsikatva; Tib. sna ldan dang bcas pa) or the absence of nasality (Skt. ananunāsikatva; Tib. sna ldan dang bral ba), there are a maximum of 18 forms for a given vowel letter.
The Weapon-Like Door of Speech
The analysis in this section is done on the basis of the Weapon-Like Door of Speech (Skt. Vacanamukhayudhopama; Tib. smra ba’i sgo mtshon cha lta bu) by Smṛtijñānakīrti.